The Hard Way Documentary – the inspirational story about 89-year-old ultra runner Bob Hayes, has been selected as a Finalist for the 2016 Banff Mountain Film Competition. In its 41st year, the Banff Mountain Film and Book Festival is one of the most prestigious mountain film festivals in the world. Presented by National Geographic and The North Face, it takes place October 29 – November 6, 2016, at Banff Centre in Banff, Alberta, Canada.
The Hard Way is the inspirational story of Bob Hayes, an 89-year-old who runs 30 races each year, cuts his firewood by hand and does things the hard way to remain active and alive. The film takes us on a journey that’s about more than running, it teaches us to live life with purpose and momentum. Montana independent filmmakers Erik Petersen, of Clyde Park, and Jeremy Lurgio, of Missoula spent more than a year documenting Hayes’ story about remaining active and vital as he approaches 90.
“He lives an authentic, inspirational life, and we were lucky enough to document that,” Petersen said. “Being selected as a finalist to Banff is just icing on the cake.”
“Bob lives the way many of us hope to in our later years. He has a nice balance of hard work, running and being active in the community,” Lurgio said. “He still contra dances, he goes to the library and continues to learn all the time. It’s just really inspiring.”
Erik and Jeremy are traveling up to Banff for the festival this weekend.
The Hard Way will screen November 5 and 6 in Banff, Alberta.
Other scheduled screenings:
November 5, 2016 – Missoula, Montana – The Missoula Trail Running Film Festival will feature The Hard Way at The Wilma Theater.
If selected for the Banff Official Tour, The Hard Way will play in Missoula at the Banff Mountain Film Festival at the Dennison Theater Nov. 13th.
About the Filmmakers: Jeremy Lurgio is a freelance photographer and an associate professor of photojournalism and multimedia at the University of Montana School of Journalism. You can find his work at http://www.jeremylurgio.com
Erik Petersen is a freelance photographer and filmmaker based in Livingston, Montana. You can find his work at www.erikpetersenphoto.com
I’m pleased to announce that Gita Saedi Kiely has accepted the position of Director of Development assigned to work with the School of Journalism. In that role, Gita will collaborate with Dean Larry Abramson to grow private support of the School of Journalism through annual, major and principal gifts from individuals, corporations and foundations. Gita will begin work at the Foundation on Monday, December 5.
Gita has served as the Executive Director of the Big Sky Film Institute & Big Sky Documentary Film Festival since June 2014. In that role she has directed all aspects of the 10-day film festival which draws an audience of 20,000 to Missoula. In addition, she worked with the Film Festival from 2012-2014 as Festival Director and later as DocShop Director. Gita served as an adjunct lecturer for the School of Journalism from 2007-2012. She is also a noted film producer. Among the critically acclaimed projects she produced is the series The New Americans, an award-winning multi-part series for public television which initially broadcast in Spring 2004.
Many thanks to Jerelyn and Stacy, as well as the Development, Prospect Research, MarCom and Gift & Fund Administration teams who helped interview and evaluate candidates for this position. Please join me in welcoming Gita to the Foundation team.
You know you’re in the right journalism program when, before the semester has even started, you race to campus at 6:55 am, jump into cars with 10 strangers and drive two hours just to get a close and personal look at the largest toxic waste cleanup project in the country.
And instead of being the slightest bit grumpy, you feel like you have finally found birds that share your particular brand of nerdy feather.
Staring into the Berkeley Pit may not be everyone’s idea of a good time, but it tends to be right up the alley of new graduate students in the University of Montana’s graduate program in Environmental Science and Natural Resource Journalism.
It’s become a tradition to kick off the program with what Professor Nadia White calls the “Super Fun Superfund Tour” – a daylong immersion into Montana’s storied mining and extraction history.
This year, the new cohort moved backwards through time and space, tracing the Clark Fork River upstream from Missoula toward its headwaters near the Continental Divide.
The Clark Fork and its tributaries are the veins through which toxic pollutants from a century of copper mining near Butte have spread. Each mile of the river is in a different state of restoration, reclamation, stagnancy or conflict.
Our first stop was Dry Cottonwood Creek ranch – a working cattle ranch owned by the non-profit Clark Fork Coalition located on the Upper Clark Fork. It’s a living laboratory for river and soil reclamation.
Rancher Maggie Schmidt showed students the sections of the river that are in the process of being cleaned up and explained the impact the reclamation project is having on her ranching operation. The visit was a window into how the federal government’s Superfund program plays out with private landowners and the agriculture sector on the ground.
Our caravan then wound through the town of Opportunity, which continues to be the dumping ground for other places’ hazardous waste. Brad Tyer, one of our chaperones and author of the book “Opportunity, Montana: Big Copper, Bad Water, and the Burial of an American Landscape” offered insight as to how some communities, lands, and rivers in Montana may be restored, but there is almost always another one that becomes a kind of sacrificial lamb in exchange.
We stopped for lunch in Anaconda, which is famous for its remnant landmarks from its smelting days. At Smoke Stack State Park, I looked around to see my fellow graduate students clambering over a brick wall to touch slag from the old copper smelter with their bare hands.
Finally, we landed in Butte, the “black heart of Montana,” to meet up with Tom Malloy, the reclamations manager for Butte-Silver Bow County. Malloy lives and breathes environmental reclamation. He knows more sneaky passageways to mining sites than just about anyone else in the county, or maybe the entire country.
Malloy treated students not only to a bird’s-eye view of the Berkeley Pit, but also to a once-in-a-lifetime visit to Yankee Doodle Tailings Pond, which is hidden from the general public’s direct sight.
Seeing the legacy of extraction helped some students ground their ideas about these infamous places.
Journalism student Matt Blois’ only prior connection to the Pit was from hearing about it on Radio Lab. “I expected it to be much more sinister looking – bubbly, green and horrible looking,” he said. “It was strange to see it and know it was so acidic, because it looks so benign.”
Tromping around with Malloy was like having an all-access pass to the behind-the-scenes drama of Butte. I knew he had saved the best for last when he said he was going to take us to “Slag Wall Canyon”, a first for students as well as for our chaperones.
We pulled up next to a trickle of water outside of town and ducked under a crumbling archway. Soon, we were watching Silver Bow Creek meander between 30-foot walls constructed of bricks made from smelting waste. To the untrained eye, it was beautiful and eerie at the same time.
But to Malloy, it was another environmental disaster waiting to happen. He told us that toxic tailings are buried just beneath the slag walls. Meaning that if a big flood were to occur, or the slag walls proved structurally unsound, the old chemicals would be unleashed into the creek, enter the Clark Fork and make a dash for the Columbia. All of the reclamation and healing efforts at places like Maggie’s ranch would be undone, and the water supply of this area would be severely compromised once again.
As Malloy pointed out this risk, we thought hard about what it meant in the big scheme of things. As emergent journalists, how can we talk about slag walls and this one creek in a way that connects our audience to the hard and complex choices we all have to make? What about the ones we don’t make, but are implicated in? And how do we do that gracefully, without scaring the public away?
For his part, Malloy advocated for the creek to be re-routed away from danger. He made it sound as if changing the path of an entire creek was a relatively quick-and-easy fix, and to a reclamations specialist, perhaps it is.
But long after we arrived back in town, a little late and very hungry, I kept thinking about progress. I wondered how someone like Tom Malloy defines progress in his work on a daily basis when he is surrounded by problems created decades ago and solutions that will take a century. And how we are willing to define “solutions” themselves – when it’s so much easier to wish some of these harms had never been caused in the first place.
I hope the questions that bubbled to the surface that day will stay present as we willingly and bravely enter the fray as journalists, listeners, storytellers and witnesses.